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In the last year, AI models have rapidly improved on public benchmarks measuring their ability to carry out research tasks autonomously. Such performance suggests that models may be capable of automating parts of the AI R&D process itself, thereby accelerating the pace of AI progress.

In the last year, AI models have rapidly improved on public benchmarks measuring their ability to carry out research tasks autonomously. Such performance suggests that models may be capable of automating parts of the AI R&D process itself, thereby accelerating the pace of AI progress.
This talk will cover key insights from the third AI100 report, AI Goes Mainstream: The Scaling Era and the Rise of Generative AI, set for release in November 2026. The report was commissioned by the AI100 standing committee and led by study panel chair Michael Wooldridge.

This talk will cover key insights from the third AI100 report, AI Goes Mainstream: The Scaling Era and the Rise of Generative AI, set for release in November 2026. The report was commissioned by the AI100 standing committee and led by study panel chair Michael Wooldridge.
Sessions run Wednesdays from 4:30–5:30 PM in CoDa E160. Each session features a different Stanford speaker; talk titles are announced by the organizers.

Sessions run Wednesdays from 4:30–5:30 PM in CoDa E160. Each session features a different Stanford speaker; talk titles are announced by the organizers.
Elizabeth King combines figurative sculpture with stop-frame animation in works that blur the boundary between actual and virtual object. Intimate in scale and made to solicit close looking, her work reflects her interest in the history of the puppet, the automaton, and literature’s host of legends in which the artificial figure comes to life. She asks, “What is the figure in sculpture now? The representation of the body and its life: can I absorb the news from biotechnology and artificial intelligence but keep art’s ancient pact with theater?”
Her artist's talk will touch on the mind/body riddle, the science of emotion, the human/machine interface, and what the direct gaze means in an increasingly mediated world. Her most recent solo show, Radical Small at the Massachusetts Museum of Contemporary Art (MASS MoCA), was on view from February 2017 through January 2018.
The Studio Lecture Series is sponsored by the Millicent Greenwell Clapp Fund for Studio Art.
Image: From the book Attention’s Loop (A Sculptor’s Reverie on the Coexistence of Substance and Spirit), Elizabeth King, photos by Katherine Wetzel. Harry N. Abrams, NY, 1999. Pictured is King's sculpture Pupil, 1991; half life-size; porcelain, wood, glass eyes, brass; all joints movable; collection of the Hirshhorn Museum, Washington DC.