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The AI Index, currently in its ninth year, tracks, collates, distills, and visualizes data relating to artificial intelligence.

The AI Index, currently in its ninth year, tracks, collates, distills, and visualizes data relating to artificial intelligence.
Music is intertwined with human emotion, memory, and identity, making it a powerful medium for affective experience and regulation.

Music is intertwined with human emotion, memory, and identity, making it a powerful medium for affective experience and regulation.
Sequence data is ubiquitous in economics — job histories in labor economics, diagnosis and treatment sequences in health economics, strategic interactions in game theory. Generative sequence models can learn to predict these sequences well, but their complexity makes it hard to extract interpretable economic insights from their predictions.
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Sequence data is ubiquitous in economics — job histories in labor economics, diagnosis and treatment sequences in health economics, strategic interactions in game theory. Generative sequence models can learn to predict these sequences well, but their complexity makes it hard to extract interpretable economic insights from their predictions.
I am captivated by the ways we are taught to interact with algorithms, and how this shapes the way we interact with each other. Central to my work is a critique of the simultaneous technological and social systems we’re building around ourselves. What are the rules, what happens when we introduce glitches? I invite participants. To remote control my dates. To be followed. To welcome me in as their human smart home. To attend a party hosted by artificial intelligence. In these interactions, there is a reciprocal risk taking and vulnerability, as performer and audience are both challenged to relinquish control, both implicated. We must formulate our own opinions about the systems that govern our lives. We begin to notice their effects play out on our identity, relationships, and society. Each work feels like an attempt to hack my way out of myself and into closeness with others. I am embodying machines, trying to understand that distance between the algorithm and myself, the distance between others and me. There’s humor in the breakdown, and also moments of clarity. Who builds these artificial systems, what values do they embody? Who is prioritized and who is targeted as race, gender, disability, and class are programmatically encoded? Where are the boundaries around our intimate spaces? In the midst of always on networked interfaces, what does it mean to be truly present?
